As I walked around the AVA Group’s facilities in July with Hans-Ole Vitus (CTO) and Alexander Vitus Mogensen (CEO), it became clear to me that both father and son were well equipped to answer any question I had, explain any technical process associated with the construction of Vitus Audio or Alluxity products, and walk me through the machines AVA has invested hundreds of thousands of euros in, on which they rely heavily. It was also quite obvious to me that before Alexander took over as CEO earlier this year, he had learned the business from the ground up—he knows the products and what goes into them from the inside out.
Vitus Audio has been a staple of the high-end solid-state electronics realm since Hans-Ole Vitus established it, under the umbrella of AVA Group, in 1995. His son, Alexander Vitus Mogensen, started AVM-TEC—primarily a manufacturing and measurement firm—at the ripe old age of 18. Around that time, Alexander also launched Alluxity, a high-end brand that makes design-conscious—but still very high-end—electronics, including integrated amplifiers, power amplifiers, and preamplifiers. This year AVA Group and AVM-TEC merged, and they operate out of a shared building in Herning, Denmark. It took roughly an hour and a half to travel from Aarhus—our home base at the time—to Herning to tour the factory and learn more about the new AVA Group.
The Kodo experience
As the culmination of our July tour of the Gryphon Audio Designs facility in Aarhus, Denmark, my wife, Andrea, and I, along with Abigail and Ian, our daughter and son, entered a brand-new Gryphon listening room—a space that had recently been renovated by the company. On demo was the mighty Kodo speaker system, a four-tower design. Not only is the Kodo the flagship of Gryphon’s current speakerverse, it’s the largest loudspeaker system the company has ever produced. The ones we would be listening to were Soul Red Crystal, and they retail for $360,000 per four-tower system (all prices USD).
The first leg
If you pay attention to the news, you’ve no doubt been alarmed if you have travel plans booked that involve multiple flights and tight connections. The number of flight cancelations reported in the past several months is enough to make even the most seasoned travelers nervous—especially if you have a tight itinerary booked once you arrive at your destination. When my wife, Andrea, and I made arrangements to travel to Europe in July with our two teens—Abigail, 17, and Ian, 16—we experienced some skepticism that it would all work out, particularly since we had a packed schedule once we landed.
I loved High End 2022, this year’s edition of the largest audio show in the world, which took place from May 19 to 22 in Munich, Germany. It was great to be back after two COVID-19 years at home. The show was a smashing success with lots of product introductions and many terrific-sounding systems. You can read the SoundStage! Network’s coverage of the event, which I contributed to, on SoundStage! Global. Also check out Jonathan Gorse’s “Munich High End 2022: The Cream of Analogue,” published in this space on June 1. Jonathan is a devoted vinyl aficionado and had some favorite analog—um, analogue (Jonathan’s a Brit)—products to tell you about.
This past week a reader wrote to me with a simple question: “Jeff, good morning. Why have you never reviewed Avalon loudspeakers? And thus they do not make it to your ‘Definitive List of Loudspeaker Brands’? Thank you!”
Make no mistake, Munich’s High End is no ordinary hi-fi show—the scale is so jaw-dropping that you need to recalibrate your senses. The show comprised three vast exhibition floors, each seemingly the size of a major indoor concert arena, housing 550 exhibition rooms and 1500 brands. It was an awe-inspiring demonstration of the scale, richness, and power of the global audio industry. Everyone from the exhibitors to the visitors seemed to be revelling in the experience—in short, this show is to audio what Le Mans is to motor racing.
You may be wondering why I’m once again writing about Vivid Audio’s flagship loudspeaker, the G1 Spirit. That’s a good question. And there’s more than one answer.
On April 15, just two weeks ago, we launched a brand-new feature on this site: Reference Systems. I’ll tell you all about that, but first, let’s recap what’s been available on SoundStage! Ultra.
Near the top of the SoundStage! Ultra homepage, you’ll find the regular tabs that are always present in the menu:
Last month I wrote about “The Reference System” for the March 1 update of SoundStage! Ultra. In that article, I examined the notion of the reference audio system, outlined the types of folks who have them, explained why these systems matter, and provided some insight into how to go about assembling one. I concluded by promising to explore reference audio systems on SoundStage! Ultra “in greater depth and in some very exciting ways in 2022.”
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