I don’t get out much these days. COVID did a bit of a number on me, forcing me inward, making me reclusive. Used to be I’d ride my motorcycle to work 25 miles each way, dicing with traffic, then go out for lunch, and out for beers afterward. I had a social life, a social circle. Working from home did away with all of that.
Close your eyes and picture a chair. This image in your mind is the ideal of a chair, of how a chair should look. The Platonic conception of a chair. That chair may not exist in the real world, but it’s what you think a chair should look like.
Origins
The vinyl era dates back to 1948, when Columbia Records issued the very first 33rpm LP, a recording of Felix Mendelssohn’s Violin Concerto in E Minor, with soloist Nathan Milstein and the New York Philharmonic Orchestra under Bruno Walter. But it wasn’t until the mid-1960s that the challenge of keeping records clean was seriously addressed. That happened when Percy Wilson, then technical editor of the UK classical-music magazine Gramophone, wrote a series of papers on the subject for the Audio Engineering Society.
It’s getting tense here at Thorpe Manor. As I begin writing this editorial on October 15, I’m getting set to cover Audio Video Show 2024, which starts on October 25, on location in Warsaw. It seems like just yesterday I was counting down three weeks until departure, which felt like plenty of time to get my editorial finished, wrap up a review, and pack at my leisure.
At Munich’s High End 2024, I spent an inordinate amount of time browsing the European Audio Team display. Their booth was encircled with turntables and tube electronics, two 20th-century technologies with which I’ve had a long-standing love affair. My relationship with EAT goes back eight years, to 2016, when I reviewed the company’s C-Major turntable. I got a real charge out of that ’table, out of its combination of visual low-slung elegance and excellent sound quality.
In the world of analog accessories, there are entire catalogs of stuff you didn’t know you needed. Of course, I know there’s a distinction between want and need. We humans really only need food, water, shelter, and companionship. A turntable is a want. Heck, any form of hi-fi is a want.
I’ve lived in the same house for 25 years. I’ve owned my motorcycle from new in 2007, and I bought the one before that new in 1990. Once I find something I like, I keep it longer than I should. Perhaps it’s inertia, or maybe it’s because I make shrewd buying decisions. Either way, I don’t let go easily.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click here.
The term “integrated product” can mean many things in the audio industry. In browsing through the North Collection of components on Simaudio’s website, you will find several integrated products differentiated by number-based identifiers, each positioned opposite its functional counterpart. The 641 integrated amplifier ($11,000, all prices in USD) and matching 681 streaming DAC ($12,000) are the most wallet-friendly products in the North Collection. The 700 series, comprising the 761 power amplifier ($14,000) and 791 streaming preamplifier ($16,000), delivers a step up in performance and complexity. The flagships are the 861 power amplifier ($22,000) and 891 streaming preamplifier ($25,000), the latter of which is the subject of this review.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click here.
Scandinavia is home to many highly regarded audio companies, but most are located in Sweden and Denmark. Norway has just a few well-known makes, including Electrocompaniet, Hegel Music Systems, and SEAS. Hegel and Electrocompaniet are both active in electronics, while SEAS makes speaker drivers for speaker manufacturers.
My family loves Ottawa, Ontario, which is about a four-hour drive from our home in Toronto. Marcia has had a long love affair with Ottawa, stemming back to her late-teenage years when she had friends who went to the city’s Carleton University. Ottawa is Canada’s capital city, and as such it’s loaded with huge stone buildings, both brutal and elegant in equal measure. There are tons of museums and galleries, most notably the National Gallery, which we often visit when we’re there.
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