I feel like I’ve been chasing this speaker around the world.
Back in 2022, I flew to Denmark for a tour of DALI’s headquarters and an in-depth introduction to the company’s new statement Kore loudspeaker. I was surprised to learn that DALI—an acronym for Danish Audiophile Loudspeaker Industries—is the second-largest manufacturer of speakers in the world. I was equally surprised by the depth of DALI’s investment in the infrastructure and technical expertise that went into the Kore project. While the folks at DALI were rather coy on the issue, they did hint that some of the Kore-specific technologies were likely to trickle down to future products . . .
I swore to myself that it would never come to this. I promised myself I wouldn’t become a curmudgeon.
History, technology, and design
Last year, Naim Audio celebrated its 50th anniversary. It’s incredible to think that there have only been four iterations of Naim’s core model range during those 50 years. Put that in the context of mass-market brands that revamp their entire product line every year, and you’d think the R&D engineers in Salisbury spend most of their day playing croquet on the corporate lawn before retiring inside for a spot of tiffin! I have been behind the scenes, though, and the factory is a hive of activity. The place has a vibe reminiscent of Bletchley Park, where the Enigma code was cracked during WW2: a hodgepodge of buildings and a whole lot of boffins. Serious-looking types stare intently at advanced CAD workstations, while others bustle about in white or beige engineer’s coats, taking prototype next-generation audio hardware under cover into secret listening rooms.
Note: measurements taken in the anechoic chamber at Canada's National Research Council can be found through this link.
It was a snap decision. Back in May, at the 2023 High End show in Munich, Germany, I found myself sitting in YG Acoustics’ room getting the cobwebs of a hangover blasted out of my skull by the Denver, Colorado, company’s new Ascent speakers. The room was populated by a bunch of young folks, all wearing YG Acoustics polo shirts, all extremely enthusiastic, all ready to talk about the company’s speakers, and all more than ready to take musical requests. It was a fun visit, and I was exceptionally keen to get in a pair of these new speakers for review. So I put a bug in the ear of CEO Matthew Webster, and followed up several times via email to make it so.
The phono cable is the most critical piece of wire in your audio system. I make this statement with certainty. In North America, power cords carry an alternating current at 120V. Speaker cables may need to carry a few dozen volts. Line-level interconnects throw up to about 2V. But the phono cable? A low-output moving coil squeaks out somewhere around 0.5mV. Spin that number up to a value in volts and you get 0.0005V.
If you haven’t already, please nip over to SoundStage! Access and read Dennis Burger’s January editorial, where he explains that he’s a simple guy who would be happiest with a simple (albeit high-quality) system. However, as a reviewer, he needs a bunch of gear hanging around so that he can evaluate separates such as DACs, amps, and speakers. Then check out Dennis’s podcast on the same subject.
Audionet’s Humboldt integrated amplifier ($58,750, all prices USD) is one of the most imposing amplifiers I’ve ever reviewed. For starters, it’s the most expensive product that’s taken up residence in my listening room by quite some margin. The Humboldt is also physically imposing, weighing in at just over 134 pounds and measuring 12.6″H × 17.8″W × 19.9″D. To put it mildly, it’s a brute.
At the risk of sounding like a broken record (see what I did there?), I’d like to tell you about a new optical cartridge from DS Audio—the DS-W3. As some of you may know, I’ve spent the last year or so listening to the DS 003 optical cartridge, which is mounted on my VPI Prime Signature turntable. I’ve written extensively about this technology, which, while it isn’t exactly new, has recently surfaced as the Next Big Thing in analog playback. I’ll lay my cards on the table right now—I’ve been smitten by these cartridges.
Now we’re getting to the nut of it. In my November editorial, I recounted the first step in adding digital playback to my main review system, which is in the basement listening room of my Toronto townhouse. Until then, that system had been analog only (or mostly analog). The first step was getting my Roon ROCK to pump out music through a Logitech Squeezebox Touch streamer to the secondary system on the main floor. Then in December, I started a deep dive into Roon and also added the Meitner Audio MA3 streaming DAC, which now sits defiantly next to my VPI Prime Signature turntable.
Design and technology
Wales isn’t well known for its audio manufacturers, but Leema Acoustics and subwoofer specialist REL Acoustics are doing their best to change all that. Leema can trace its origins back to 1998, when its two founders, ex-BBC engineers Lee Taylor and Mallory Nicholls, came together to design their first loudspeaker, the Xen. This project took four years of intensive and innovative development, resulting in a small loudspeaker that—the company claims—can outperform speaker systems many times its size. The Xen was squarely aimed at the professional audio market for mixing and related applications, but the firm soon realized it had a product that hi-fi enthusiasts desired, too.
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