My neighbor and fellow audiophile, Ron, let slip that he had a busted Shelter 901 cartridge sitting in a box. Seems that the cleaning lady was dusting his turntable a bunch of years ago, and she got a little too aggressive with the cloth. Ripped the cantilever clean off.
Blue Note Records BN 2801/B003372801
Format: 2 LPs
Musical Performance: ****
Sound Quality: ***
Overall Enjoyment: ***½
Don Was, president of Blue Note Records, penned the short introductory essay for the booklet that accompanies First Flight to Tokyo: The Lost 1961 Recordings, a newly released set of live recordings by Art Blakey and the Jazz Messengers. Was describes Blakey’s importance to Blue Note, both as band leader and accompanist, and goes on to praise his focus and inspiration, which drove the musicians he played with to do their best.
Most of my friends are not audiophiles. In other words, most of them don’t care all that much about the actual sound of the music they play in their homes. Or their cars. Or at the gym. They care about the music, of course, but the sound of it—whether it passes a certain threshold we’ll call, um, audible—is of little consequence to them.
My wife, Andrea, and I have two kids, Abigail, 17, and Ian, 15. The two of them grew up training in Brazilian Jiu-Jitsu (BJJ), a grappling-based martial art that I studied and taught for many years. Abigail started at age seven, Ian at six. Abigail still trains BJJ—mostly with me—but Ian transitioned to the sport of wrestling at the ripe old age of ten. He wanted to do a sport that he could pursue in college one day, and he loved life on the mat.
Deep in the Gloucestershire countryside, nestled in a pretty country lane between wild hedgerows, lies the headquarters of perhaps the world’s most respected manufacturer of professional loudspeakers. Since 1974, ATC—the Acoustic Transducer Company—has designed, engineered, and built professional monitor systems for a client list that seemingly includes most of the leading recording or mastering studios on Earth. ATC speakers hang in the Sydney Opera House, the Royal Festival Hall, and Ronnie Scott’s Jazz Club. ATC speakers were used by Doug Sax at The Mastering Lab while he was cutting many of his vinyl masterpieces. The company’s client list reads like an A–Z of the world’s most beloved artists, including Enya, Kate Bush, Bruce Springsteen, Mark Knopfler, and Pink Floyd. In short, if you want to hear Pink Floyd the way that David Gilmour does, you’d better use ATC speakers.
Zappa Records/Universal Music Enterprises/MGM Records ZR3846-1B
Format: 2 LPs
Musical Performance: ****
Sound Quality: ****½
Overall Enjoyment: ****½
Frank Zappa’s 1971 film, 200 Motels, is a surreal, comic look at rock musicians and their lives on the road. Zappa cowrote and codirected the movie with Tony Palmer, whose long career in film and theater has included everything from rock-music documentaries to opera. The movie consists of a series of comic skits, interspersed with footage of Zappa appearing onstage with the Mothers of Invention and the Royal Philharmonic Orchestra. Among the guest stars are Ringo Starr, Keith Moon, and Theodore Bikel.
“This Denafrips DAC is very good. And really well built. Like, really well built.” It was Tuesday, and SoundStage! publisher Doug Schneider was telling me about the company’s flagship Terminator-Plus DAC over the phone while, as so often happens, I was trying to attend to my corporate day job. “Uh-huh,” I murmured, kinda, sorta listening. I knew Denafrips as the manufacturer of some relatively affordable digital gear that had made a splash amongst YouTube reviewers in recent times, and being a reviewer myself here at SoundStage! Ultra, I was completely unprepared for what Doug said next. “What if you reviewed their Venus II for SoundStage! Ultra?” My attention was immediately wrenched from my work email, and I bemusedly blurted, “Uh, what? Why?” I knew the Terminator-Plus—which like all Denafrips products is sold in Singapore dollars (SGD)—retailed for less than $6500 in the United States based on then-current conversion rates, and that the Venus II retailed for less than $3000. No matter how good the Venus II was, in my head, its pricing automatically ruled it out as an Ultra product. But Doug, my stubborn, combustible friend from the Great White North, encouraged me to be open-minded. I’m glad I was, because the times, they are a-changin’.
I’m writing this on December 15, 2021. Since Christmas is a week from this Saturday, I thought it would be the perfect time to list some of the many things connected to the audio industry and my position with SoundStage!—editor in chief—that I’m thankful for. So here they are (in no particular order).
Alta Audio is based in Huntington, New York, and manufactures a growing line of loudspeakers, all of them designed by company president Michael Levy. For my review, I chose a smallish floorstander, the Alec, for several initial reasons. First, the Alec is a two-way design that weighs under 100 pounds. My current reference loudspeaker, the Sonus Faber Maxima Amator, is similar in size and form factor; like the Alec, it’s also a slim two-driver, two-way floorstander with an ambitious design brief. Having several months of listening to the SF under my belt, I knew I wanted to sample another speaker model that would compete directly with the svelte Italian. The Alta Audio Alec fit the bill perfectly.
About 40 years ago, I used to hang out at the Harkness house after school. It was the kind of place I want my daughter to be able to hang out in when she gets into her teenage years—a house full of creativity, music, art, and positive energy. There were five siblings, one of whom is still an extremely close friend and another who is now the musician known as Harkness.
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