The notion that high-end audio can’t offer strong value propositions is ridiculous. If you choose your components wisely, you can assemble and own an incredible-sounding music-reproducing system that will virtually transport you to the best clubs, concert halls, and recording studios in history—a system that will last for decades as it provides thousands of hours of listening enjoyment to you and your family.
Magico’s A series of loudspeakers is interesting for several reasons—certainly in terms of their design and sound, but also in how this series fits into Magico’s entire history of speakers. Those of you who recall the introduction in 2010 of Magico’s first Q-series speaker, the Q5 ($59,950/pair when introduced, all prices USD), will know that those who first saw and heard it thought it a groundbreaking product. Its all-aluminum cabinet was displayed at the 2010 Consumer Electronics Show, in Las Vegas, with one side panel removed. Attendees were mesmerized—the lattice of braces and bolts and high-tech drive units began an era of Magico’s history that saw huge growth, not only in terms of units sold but in stature within the industry. The company’s founder, Alon Wolf, was making speakers his way. They looked like nothing else, and they sounded like nothing else.
Provogue Records PRD76431
Musical Performance: ***½
Sound Quality: ***½
Overall Enjoyment: ***½
Steve Cropper is a guitarist many people know without actually knowing his name. His guitar riff opens Sam & Dave’s “Soul Man,” and he appeared on countless other recordings on the Stax Records label, and on sister label Volt Records, as a member of the Stax/Volt house band, Booker T. & the MGs. He cowrote a number of songs with Otis Redding, including the singer’s biggest hit, “(Sittin’ On) The Dock of the Bay.” After the Stax/Volt years, he played on, or produced, records by Jeff Beck, Rod Stewart, Ringo Starr, and John Lennon, to name just a few.
This is intended as a companion piece to the review of Allnic Audio’s L-9000 OTL/OCL preamplifier.
Big things have small beginnings. Some beginnings, however, are smaller than others. For Allnic Audio founder Kang Su Park, the story begins in the South Korean countryside during the 1950s. “We were very poor,” he told me. The South Korea of his youth was a far cry from the technology-forward nation we know today. That’s not exactly a shock after the Korean War tore through the Korean Peninsula from 1950 to 1953, leaving a literal scar in the form of a demilitarized zone, and a figurative one that left South Korea with the unenviable task of rebuilding a nation from scratch.
Based in Songnam City, South Korea, Allnic Audio was founded in 1997 by Kang Su (“K.S.”) Park. Park has always been keenly interested in music and electronics—his older brothers, both electricians, taught him the basic principles of electronics at an early age, and soon he was building his own audio components. However, according to Park, at the time neither Korean culture nor his parents valued the electronics trade. When he attended university in Seoul, he studied for and received a degree in French language studies.
Who among us hasn’t thought about what matters most in an audio system? The subject often comes up when the total cost of the high-end audio components we’re buying to assemble a system must fit within a certain budget. For example: If you believe that garbage in results in garbage out, then what will most matter to you will be the source component—a turntable, a DAC, a CD player—which means you’ll be willing to spend relatively more on that component. Many audiophiles find that the most significant audible differences among high-end brands tend to be between speaker manufacturers; consequently, those audiophiles are likely to spend the lion’s share of their budgets on getting the best-sounding speakers they can afford. Still others will tell you that the magic resides in the preamplifier—and many of those folks will swear that, all else being equal, what makes the biggest improvement in sound is a tubed preamp. Coming up with an answer to the question of which component matters most, and then acting on that answer, is part of the fun of being an audiophile.
In May 2020, when MSB Technology announced their S202 stereo amplifier ($29,500, all prices USD), I thought it a perfectly sized power amp. I could move its 90 pounds myself, and its dimensions of 16″W x 7″H x 19″D meant that it could fit many places, including the shelf of an average-size, high-end audio rack. Still, I could see, even in the photos, that it was a substantial machine. Its contoured aluminum case and chassis—in this model they’re the same thing—were obviously the results of lots of CNC milling, and inside, its jewel-like parts and layout made clear that the S202 was a lot more than a pair of tiny class-D amps rattling around inside an otherwise empty box.
Blue Note Records B003313501, B003313402
Formats: LP, CD, 24-bit/96kHz FLAC download
Musical Performance: ****½
Sound Quality: ****½
Overall Enjoyment: ***½
Tone Poem is Charles Lloyd’s third outing as leader of the Marvels, the quintet that derives much of its unique sound from the combination of Bill Frisell on guitar and Greg Leisz on pedal steel. Lloyd’s stalwart rhythm section, drummer Eric Harland and bassist Reuben Rogers, who have appeared on many of Lloyd’s recordings since the mid-2000s, completes the group.
In 2011, Classé Audio introduced the CP-800 preamplifier-DAC ($6500, all prices USD) to replace the well-received, analog-only CP-700 preamplifier ($8000); both models are now discontinued. In 2013 I reviewed the CP-800, our editorial team named it a Reviewers’ Choice, and I made it my reference preamplifier. The CP-800 remained largely unchanged until late 2016, when it, too, was discontinued.
In all of high-end audio, is there a more loaded question? And if ever a question could be answered with “Depends who you ask,” this is it.
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