Discovering Vinyl Storage Solutions Record Sleeves
- Written by: Jason Thorpe
- Category: For the Record
My neighbor Rob is a vinyl guy. He’s always been a music guy, but over the past few years, the vinyl resurgence has really energized his love of physical media, and he’s enthusiastic and happy to chat about the format—both about LPs and the means by which to store, clean, and play them.
The Church: "Starfish"
- Written by: Joseph Taylor
- Category: Recording of the Month
Intervention Records IR-027
Format: LP
Musical Performance: ****
Sound Quality: ****½
Overall Enjoyment: ****
The Church, formed in 1980 in Sydney, Australia, released four albums that sold well at home and stirred up some interest in Europe and the US, but it was the band’s fifth album, Starfish (1988), that brought an international following. The band’s previous albums had been recorded at studios in Sydney, but Starfish was recorded in the US, with Greg Ladanyi and Waddy Wachtel producing.
Bowers & Wilkins 805 D4 Loudspeakers
- Written by: Hans Wetzel
- Category: Full-Length Reviews
Note: measurements taken in the anechoic chamber at Canada's National Research Council can be found through this link.
As a 14-year-old kid, I remember poring over my brother’s issues of Stereophile and ogling Bowers & Wilkins’s then-new Nautilus 801 and 805 loudspeakers. Those models were the stuff of dreams to my younger self, who never imagined being able to own a pair, let alone being able to review them. The Nautilus 800 models were legendary and set a benchmark in my mind for what top-flight loudspeakers should look like, with their beautifully curved cabinets, swooping tweeters, and trademark Cherry finish. Sheer perfection. In fact, I’d happily own a pair of Nautilus 802s today if the price were right. So, 22 years on, when the opportunity arose to evaluate a pair of the English firm’s brand-new 805 D4s ($8000 per pair, all prices in USD), it felt like I’d finally made it.
Sonus Faber's Maxima Amator: Setting Up
- Written by: Jeff Fritz
- Category: Opinion
Last month in “Material Obsession: Sonus Faber’s Maxima Amator,” I detailed my unboxing of the latest entry into the Italian company’s Heritage Collection of artisan-crafted loudspeakers. In that article, Sonus Faber’s VP of product development, Livio Cucuzza, described the values and processes in place at the storied brand’s headquarters in Arcugnano, Italy, that led to the new model, the only floorstander in the series. At the time, I shared my initial reactions to unboxing my pair of Maxima Amators—the product inserts, including the photobook, were greatly appreciated, as were the details of the design and construction of the loudspeakers themselves. I had already developed a keen interest when the model’s press release hit my inbox, but I was absolutely smitten with the actual set of loudspeakers that showed up at my door.
Meitner Audio MA3 DAC-Preamplifier
- Written by: Aron Garrecht
- Category: Full-Length Reviews
A little over a year ago, I reviewed EMM Labs’ DV2 digital-to-analog converter-preamplifier ($30,000, all prices USD) and concluded that it was the best-sounding DAC I’d ever heard. That remains true, and so in January of 2021, when Meitner Audio—headed by Ed Meitner, EMM’s founder, chief designer, and the brains behind the product lines of both EMM Labs and the lower-cost Meitner Audio brand—released its MA3 DAC-preamplifier ($9500), I naturally requested a review sample.
Grateful Dead: "Grateful Dead (Skull & Roses)"
- Written by: Joseph Taylor
- Category: Recording of the Month
Rhino Entertainment/Warner Records R1 1935 (LP), R2 655956 (CD)
Format: LP, CD
Musical Performance: ****
Sound Quality: ***½
Overall Enjoyment: ****
The Grateful Dead’s eponymous seventh album has no official title. It’s often listed as Grateful Dead, but is better known to fans as Skull & Roses, after its unique cover art. The two-LP set, released in 1971, was the Dead’s second live album in what was then the band’s four-year recording career, and contains a number of tunes that would turn up regularly at Dead shows over the years. Drummer Mickey Hart’s three-year hiatus from the band began with Grateful Dead, and keyboard player Tom Constanten had left the previous year. As a result, the Dead sound leaner on Grateful Dead than on 1969’s Live/Dead, the band’s first live album, which was also a double LP.
Luxman D-03X CD Player
- Written by: Jeff Sirody
- Category: Full-Length Reviews
I’m an old-school kind of guy when it comes to audio. I like the physical medium, be it analog or digital. I want to see and handle the disc, read the liner notes, and appreciate the artwork or pictures that come with a recording. Luxman is old school, too—literally. Founded in 1925, this Japanese company has been making high-quality audio products ever since.
Material Obsession: Sonus Faber's Maxima Amator
- Written by: Jeff Fritz
- Category: Opinion
High-end audio is about the faithful reproduction of music. But high-end audio gear is about other things, too, such as materials and their applications in audio components. If we’re talking about speakers, those materials could consist of anything from wood to composites to fiberglass and carbon fiber, or metals such as aluminum, and even pours such as concrete.
Hemingway Audio Cable Z-core Alpha, Beta, and Sigma Power Cords
- Written by: Howard Kneller
- Category: Full-Length Reviews
Hemingway Audio Cable’s website bills the brand’s product as “The best audio cable ever created.” Reminiscent of slogans by companies like YG Acoustics (“The best speaker on earth”), ESS Laboratories (“Sound as clear as light”), and Kyron Audio (“The ultimate music experience”), this audacious assessment reminds us that the marketing claims of many audiophile companies aren’t exactly understated. Still, my friend Dave, an audiophile and cable aficionado, strongly advised me to audition Hemingway’s Z-core power cords.
Los Lobos: "Native Sons"
- Written by: Joseph Taylor
- Category: Recording of the Month
New West Records NW5514
Format: LP
Musical Performance: ****
Sound Quality: ***½
Overall Enjoyment: ****
Los Lobos are well respected for the quality of their songwriting, but throughout their career they’ve also excelled at bringing a fresh take to covers of other songwriters’ material. Their discography includes tribute albums to artists as varied as Fats Domino, the Grateful Dead, and Doc Pomus, and their recording of Ritchie Valens’s “La Bamba” was a big hit for them in 1987. Their EP Ride This (2004) comprised covers of seven songs by musicians and songwriters who had appeared on the concurrently released Los Lobos album, The Ride, including Dave Alvin, Elvis Costello, and Richard Thompson.
- SPL Director Mk2 Preamplifier-DAC
- Edgar Villchur's Place in Hi-Fi History Is Set—for All Time
- Helius Designs Viridia Turntable and Phaedra Tonearm
- Curtis Amy & Dupree Bolton: "Katanga!"
- SPL Performer m1000 Monoblock Amplifiers
- Buying Guide: Your Dream Superspeakers at a Bargain Price
- MSB Technology Premier Digital-to-Analog Converter
- Ray Charles: "Genius + Soul = Jazz"
- Siltech Classic Legend 680L Speaker Cables
- Building a Supersystem Around Magico Speakers and MSB Technology Electronics
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