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Monday, May 12, 2025

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Ultra Audio's site platform was changed in August 2010. For equipment reviews previous to that, use this link to transfer to the old site.

: Written by: Jason Thorpe; Created: 01 May 2024

Reviewers' Choice This wasn’t how a review process normally starts. I’d just received the Thales TTT-Compact II turntable for review and was rolling up my sleeves to dig right into this fascinating product. According to Wynn Wong, the Canadian distributor, the Thales ships to the dealer, and thus the customer, as a ready-to-go package, complete with their Simplicity II tonearm and—this is what threw me—the X-quisite Voro cartridge.

: Written by: Jason Thorpe; Created: 15 April 2024

I have a sweet tooth when it comes to turntables, but I’m not stuck on one type of confection. I’m an equal-opportunity fetishist. I love turntables made from solid steel, real wood, MDF painted to look like wood. Piano lacquer, matte paint, or—gasp—clear acrylic.

: Written by: Jonathan Gorse; Created: 01 April 2024

Technology and design

The Naim NAC 332 is the second component in the new Naim 300 range to be reviewed on SoundStage! Ultra. The 300 series is only the fourth generation of Naim amplification to be launched since the firm’s inception in 1973. Priced at $10,999 (all prices in USD), the NAC 332 preamp sits in the middle of Naim’s hi-fi separates series, above the new 200-series NSC 222 streaming preamplifier ($8999) and below the existing NAC 552 preamplifier ($32,000), which will continue in production unchanged, save for switching to white front-panel illumination. In effect, the NAC 332 replaces both the discontinued NAC 282 and NAC 252 preamplifiers with a single unit. It’s all part of a simplification strategy that’s admirable, not least because the NAC 332 is priced only slightly above the NAC 282 (currently retailing at $8599) and below the recently discontinued NAC 252 ($12,599).

: Written by: Jason Thorpe; Created: 15 March 2024

Reviewers' Choice I feel like I’ve been chasing this speaker around the world.

Back in 2022, I flew to Denmark for a tour of DALI’s headquarters and an in-depth introduction to the company’s new statement Kore loudspeaker. I was surprised to learn that DALI—an acronym for Danish Audiophile Loudspeaker Industries—is the second-largest manufacturer of speakers in the world. I was equally surprised by the depth of DALI’s investment in the infrastructure and technical expertise that went into the Kore project. While the folks at DALI were rather coy on the issue, they did hint that some of the Kore-specific technologies were likely to trickle down to future products . . .

: Written by: Jonathan Gorse; Created: 01 March 2024

Reviewers' Choice History, technology, and design

Last year, Naim Audio celebrated its 50th anniversary. It’s incredible to think that there have only been four iterations of Naim’s core model range during those 50 years. Put that in the context of mass-market brands that revamp their entire product line every year, and you’d think the R&D engineers in Salisbury spend most of their day playing croquet on the corporate lawn before retiring inside for a spot of tiffin! I have been behind the scenes, though, and the factory is a hive of activity. The place has a vibe reminiscent of Bletchley Park, where the Enigma code was cracked during WW2: a hodgepodge of buildings and a whole lot of boffins. Serious-looking types stare intently at advanced CAD workstations, while others bustle about in white or beige engineer’s coats, taking prototype next-generation audio hardware under cover into secret listening rooms.

: Written by: Jason Thorpe; Created: 15 February 2024

Note: measurements taken in the anechoic chamber at Canada's National Research Council can be found through this link.

It was a snap decision. Back in May, at the 2023 High End show in Munich, Germany, I found myself sitting in YG Acoustics’ room getting the cobwebs of a hangover blasted out of my skull by the Denver, Colorado, company’s new Ascent speakers. The room was populated by a bunch of young folks, all wearing YG Acoustics polo shirts, all extremely enthusiastic, all ready to talk about the company’s speakers, and all more than ready to take musical requests. It was a fun visit, and I was exceptionally keen to get in a pair of these new speakers for review. So I put a bug in the ear of CEO Matthew Webster, and followed up several times via email to make it so.

: Written by: Hans Wetzel; Created: 01 February 2024

Audionet’s Humboldt integrated amplifier ($58,750, all prices USD) is one of the most imposing amplifiers I’ve ever reviewed. For starters, it’s the most expensive product that’s taken up residence in my listening room by quite some margin. The Humboldt is also physically imposing, weighing in at just over 134 pounds and measuring 12.6″H × 17.8″W × 19.9″D. To put it mildly, it’s a brute.

: Written by: Jason Thorpe; Created: 15 January 2024

At the risk of sounding like a broken record (see what I did there?), I’d like to tell you about a new optical cartridge from DS Audio—the DS-W3. As some of you may know, I’ve spent the last year or so listening to the DS 003 optical cartridge, which is mounted on my VPI Prime Signature turntable. I’ve written extensively about this technology, which, while it isn’t exactly new, has recently surfaced as the Next Big Thing in analog playback. I’ll lay my cards on the table right now—I’ve been smitten by these cartridges.

: Written by: Jonathan Gorse; Created: 01 January 2024

Reviewers' Choice Design and technology

Wales isn’t well known for its audio manufacturers, but Leema Acoustics and subwoofer specialist REL Acoustics are doing their best to change all that. Leema can trace its origins back to 1998, when its two founders, ex-BBC engineers Lee Taylor and Mallory Nicholls, came together to design their first loudspeaker, the Xen. This project took four years of intensive and innovative development, resulting in a small loudspeaker that—the company claims—can outperform speaker systems many times its size. The Xen was squarely aimed at the professional audio market for mixing and related applications, but the firm soon realized it had a product that hi-fi enthusiasts desired, too.

: Written by: Hans Wetzel; Created: 01 December 2023

Reviewers' Choice Tokyo-based Technical Audio Devices Laboratories (a.k.a. TAD) is a company I’ve long admired. My first exposure to the brand occurred over a decade ago at CES in Las Vegas, Nevada—the first electronics show I ever covered. TAD’s room in the Venetian Hotel, where the high-end audio exhibits were housed, featured their Reference One mk2 flagship loudspeaker, finished in gorgeous Beryl Red. I was gobsmacked by the outstanding clarity of its beryllium tweeter, which was nestled in the middle of a beryllium midrange in a coaxial configuration. Because I was mainly covering budget gear back then, the notion of reviewing a pair of TAD speakers seemed as remote as Pluto. But the seed had been planted. This year, when TAD demoed their new Compact Evolution One TX ($32,500 per pair, all prices in USD) at the Florida International Audio Expo in February, I got to meet the TAD team, including CEO Shinji Tarutani. Several months later, a pair landed on my doorstep. Game on.